The C414 XLII multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live-sound applications and permanent installations, all controls can easily be disabled for trouble-free use.
The C414 XLII version differs from the C414 XLS version in one major respect ? the capsule. The C414 XLII's slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953.
- Sonic character of the famous AKG C12
-12/-18dB) - Nine selectable polar patterns
Three switchable different bass-cut filters - Three attenuation levels (-6
Overload warning with audio peak hold LED/delivers astounding sound quality for lead vocals and solo instruments
General | |
---|---|
Audio Frequency bandwidth | 20 to 20000 Hz |
Sensitivity | 23 mV/Pa |
Equivalent Noise Level | 6 dB-A |
Signal to Noise | 88 dB-A |
Pre-attenuation Pad | -6, -12, -18 dB |
Bass Cut Filter | 160, 80, 40 Hz |
Electrical Impedance | 200 Ohms |
Recommended Load Impedance | 2200 Ohms |
Polar Patterns | Omnidirectional, Wide Cardioid, Cardioid, Hyper Cardioid, Figure of eight |
Powering Interface | |
Voltage | 44 to 52 V |
Current | 4.5 mA |
Audio Output | |
Type | Balanced XLR |
Gender | Male |
Contacts | 3-pin |
Design | |
Finish | dark grey/gold |
Dimensions / Weight | |
Length | 38 mm |
Width | 50 mm |
Height | 160 mm |
Net Weight | 300 g |
Manufacturer | AKG |
---|