Mackie 802-VLZ4 8 Channel Analogue Compact Mixer

Mackie 802VLZ4 Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the “race to the bottom,” VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results. The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class-leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application. The performance of Mackie’s Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high-priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation. Mackie’s VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra-compact 402VLZ4 for desktop applications to the tour-friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs. 8-channel mixer featuring Mackie signature high-headroom/low-noise design 3 boutique-quality Onyx mic preamps Ultra-wide 60dB gain range 128.5 dB dynamic range +22 dBu line input handling Extended frequency response Distortion under 0.0007% (20Hz – 50kHz) Improved RF rejection perfect for broadcast applications Phantom power for condenser mics 8 high-headroom line inputs Selectable instrument inputs on first two channels – no DI box needed 3-band EQ (80Hz, 2.5kHz, 12kHz) 18 dB/oct 100Hz low-cut filter on mic input channels Aux send, level, pan and PFL solo on each channel Stereo return for connecting FX processor or other stereo source ALT 3/4 stereo bus for added routing flexibility Control room / phones source matrix High-resolution 12-segment stereo meters Sealed rotary controls resist dust and grime “Built-Like-A-Tank” rugged steel chassis with powder-coat finish High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback